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AQUILANO.RIMONDI: Spring Summer 2027 “Cromie E Memorie”

AQUILANO.RIMONDI SS27 draws from early twentieth-century painting, transforming artistic visions of femininity into layered silhouettes, expressive prints, and sophisticated color.

AQUILANO.RIMONDI: Spring Summer 2027 “Cromie E Memorie”

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In a sophisticated dialogue between early twentieth-century painting and the ritual aesthetics of the Far East, the new AQUILANO.RIMONDI Spring/Summer 2027 collection draws inspiration from an intimate exploration of the female figure in art.

As part of PAGEONE Media’s on-the-ground coverage of Milan Fashion Week for the Spring/Summer 2027 season, the collection offered Filipino audiences a closer look at how art history, cinematic references and contemporary design could converge on the runway. AQUILANO.RIMONDI approached femininity through a richly layered visual language, balancing decorative intensity with disciplined construction.

The visual narrative of the fashion show derives its primary lifeblood from the atmospheres of the Vienna Secession. The inspiration does not look solely to masters like Gustav Klimt, but rediscovers the style and palette of those minor artists capable of translating female anxiety and eroticism into decorative motifs, hypnotic prints, and bold blocks of color.

Interwoven with this pictorial universe is the evocative and poetic suggestion of the famous film Memoirs of a Geisha. The concept of femininity is thus deconstructed and recomposed through the two cornerstone items of the wardrobe: the skirt and the shirt.

Through a play of layering and overlapping — the stylistic signature of the duo Tommaso Aquilano and Roberto Rimondi — the silhouettes take shape, recalling the structures and volumes of the iconic kimono, without ever falling into literal citation.

The lightness of the shirts is layered over the texture of the skirts, creating a rising rhythm that highlights the body through textile architecture and exclusive prints.

The shades of the fashion show paint a sophisticated woman, where ornament becomes structure and color becomes memory.