Three People, Two Cities: The Team Behind PAGEONE Media’s Milan And Paris Fashion Week Coverage

PAGEONE Media sends a Filipino correspondent into Milan and Paris Fashion Week, bringing runway moments and industry conversations directly to audiences back home.

Two Cities, One Lens: PAGEONE Media Covers Milan-Paris Fashion Week

PAGEONE Media heads to Milan and Paris Fashion Week, bringing its coverage closer to the runways, designers, and conversations shaping global fashion.

Makinang Protektado, Byaheng Swabe: Caltex Havoline Redefines The Meaning Of ‘Takbong POGI’

Caltex Havoline SuperMatic 4T redefines Takbong POGI through smoother acceleration, stronger engine protection, thermal stability, and consistent performance for daily scooter rides.

Nestlé Expands CHUCKIE Ready-To-Drink Plant In Tanauan City To Bring More Happy Childhood Memories

Nestlé Philippines has expanded its CHUCKIE ready-to-drink facility in Tanauan City, adding capacity to produce another 144 million packs of chocolate milk annually.
X

Simon Cracker Unveils “An Annoying Summer Fairy Tale” For Spring/Summer 2027

Simon Cracker turns an aversion to summer into a fairy tale, casting its own crew in a collection shaped by personality, memory, and imperfection.

Simon Cracker Unveils “An Annoying Summer Fairy Tale” For Spring/Summer 2027

0
0

How do you feel about this story?

Express Your Reaction
Like
Love
Haha
Wow
Sad
Angry

Collection casts the brand’s crew as fairy-tale characters and revisits its most-criticized designs Simon Cracker has presented its Spring/Summer 2027 collection, titled “An Annoying Summer Fairy Tale,” a collection built around the brand’s own crew and framed as a fairy tale for those who dislike the summer season.

“I can barely stand summer, and this story gives a wink to anyone who feels the same way,” the designer said in a statement accompanying the collection.

Crew As Cast

The collection casts members of the Cracker Crew as princes, fairies and queens. According to the brand, the looks were conceived and inspired by the crew members themselves, each of whom is different both physically and creatively.

The design process began with the wearers rather than the garments. The designer compared the approach to paper dolls, which the statement describes as having almost disappeared from circulation, and called it “a game of GIRA LA MODA with the Cracker Crew: people come first, then the clothes.”

The designer cited childhood fairy tales, illustrated books, personal memories, a cat and collections of objects among the collection’s influences, and said the scene in Cinderella in which the mice upcycle materials inspired a childhood habit of reworking fabrics found at home, a practice that later became a career.

Revisiting Criticized Pieces

The collection draws on pieces from the brand’s archive dating back to 2010. According to the statement, those pieces were selected based on the criticism they had received over the years. Details that had drawn the most negative reactions were repeated and exaggerated, and elements previously considered mistakes or flaws were deliberately reintroduced.

The designer linked the decision to current economic conditions, describing the economy as “frightening and worrying” for many designers who remain “eternally emerging.”

“Today, even a beautiful collection offers no guarantee that it will sell. So you might as well be completely yourself,” the designer said, adding that “the first thing fear sacrifices is creativity.”

Materials And Silhouettes

The designer described the collection’s starting concept as forty wedding dresses thrown into a gigantic blender, disrupting silhouettes and volumes. The resulting pieces include mushroom-shaped capes with bows, ruffles, tulle and crinolines with a texture the brand likens to mold growing on citrus fruit in summer.

Denim is paired with satin and silk, with the fabrics dyed and boiled to an almost sculptural finish. Outerwear is made from cotton sourced from white bed sheets, also boiled and dyed, in sage, blue and magenta.

Accessories

A melting-popsicle motif appears across the collection’s accessories, including the brand’s “Saccoccia” bag, platform sandals, the Dr. Martens 1461 and sunglass frames.

Message To Younger Generations

The designer said the collection is intended as a message to younger people, including students and those hoping to work in the fashion industry, as well as anyone who feels there may not be a place for them.

“Go and find that place. Or create it yourself,” the designer said. “Shout. And always speak your mind.”

SOURCE: Simon Cracker